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« on: February 01, 2023, 15:42:25 pm »
Ron, Outstanding! Your WTP Course Level 101 is archived by me and offers a 19 minute explanation of not only the original design flow, but also the new shortcut to the glass dome which could be tested on the pilot plant in Dover, presumably. Granted it is not difficult to speak to WTP extemporaneously, but what a great tool for some to use when planting a seed by using the 19 minutes explanation by the inventor himself via the audio tape. Start the tape at 4 minutes 30 seconds and stop it at 23 minutes 32 seconds. The listener can also witness a transmission from MACHIVENTA MELCHIZEDEK, who is well known biblically by billions. This 19 minute piece can be used to plant a lot of seeds. It can be edited surety, but the fact of the inventor’s spontaneous transmission helps answer the listener’s queries on how Ron, an historian, receives technological humanitarian gifts from above.
Now this: Ron, I wrote two Lullabies 30 years ago when the kids were young, and not since. So, get it right, mister!! ha ha. I am a modern composer, of course, but I write using the classic forms, like the preludes, fugues, sonata, and especially the Baroque form. You once said that my stuff is original. That’s for sure! I’m finishing the fourth and maybe last movement of a Suite, and it favors the Baroque form in a humorous final movement. It’s a recapitulation of the opening movement, theme, or subject as Bach coined it. BTW Ron, Bach also wrote Two Part Inventions and even Three Part Inventions that you might want to get to know. You’ll enjoy the counterpoint schemes that he presents in the Inventions. I wrote a Variation on Bach’s Two Part Invention No. 13 and recorded it along with a Trumpet/Brass Fanfare for piano, and I think a Ragtime piece, and sent it to the forum discussion members. That was a few years ago. Some of you may have archived those three. I’ve not yet finished recording a few more recent compositions to send to the forum, including Phyllis’ poem from her Adjuster that I put to music.
Finally, Ron, immediately after I heard Tape 18, and on your or Michael’s suggestion to try the Fugue with the C Major and A Minor scales, I did. It is beautiful. Remember: the A MAJOR scale has three sharps — the C, F, and G. To make any MAJOR key a MINOR key, you must lower the 3rd and 6th notes in the scale by a half step So when you play the A Minor scale only the G sharp remains. I used that G Sharp when introducing the first Subject, and used the related G key Major and Minors to help develop the second Subject in my Fugue. Try that, Ron. See what the Only accidental that remains with the A Minor key can do for you as you forge ahead to the 2nd subject.
WOW, it like WTP!! By eliminating two of the A Major accidentals you are left with an A Muon (Minor) if you will, and in harmony with the accidental Electron as Counterpoint.
To the Board of Directors: I have a post coming to you today regarding a few seeds planted over the last 10 days. Even though we are confident about what MACHIVENTA said today about the funding, we can still try to “beat HIM to the punch.” To you MACHIVENTA: Shall we dance to the race? Later to the BoD.
All for now,
Steven
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